So after our conversation wrapped up I grabbed my iPhone and took a quick portrait of Kevin. It took may be a minute, but I do "like" it, a lot. I think much of "liking" a photograph is more about recognition. There is often something it reminded me of... it took a couple hours but then it hit me... Bruce Charlesworth. I don't know a ton about Charlesworth but I first became familiar with his work in the early 1990s. It was a series of constructed images of a man in a dressed in a suit, alone and in edgy, risky or precarious predicament. He stance always stiff and unnatural. Very 1990s, very post modern, open-ended narrative.
The portrait of Kevin shares some strong elements in this photograph: his stance mirrors that of the fire hydrant in a comical yet familiar way, the color of the green street light from above with the warm glow of the flood lights in the distance, and then there is the odd red curb that recedes into nowhere. Totally different situation, similar composition and outcome.
So, in the end I took a portrait of Kevin because I thought it would be so easy to tell you all about my friend of 15 years. How we met, what we have experienced working together almost everyday for that last decade and a half, but in the end the image got the best of me. Sorry Kevin... I will have to tell your story another night.
Bruce Charlesworth
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